Need help finishing your film?
The Filmmaker Assistance Program (FAP) is an initiative of the National Film Board of Canada (NFB) that’s designed to encourage and support independent anglophone Canadian filmmakers.
Filmmakers can apply to receive post-production services at the NFB’s headquarters in Montreal (Balmoral), or if they’re unable or do not wish to travel to Montreal they can apply to have local post-production services reimbursed by the NFB (Local).
The FAP has a long and illustrious history at the NFB, and the current updates seek to provide the same level of support to independent filmmakers while ensuring our offerings are aligned, equitable and accessible from coast to coast to coast.
In keeping with the NFB’s mandate as a public producer and distributor, projects are selected with the aim of meeting the NFB’s commitments to equity, diversity and inclusion, parity and Indigenous representation, as well as linguistic and regional representation.
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Local
Program Details
This program offers selected filmmakers’ reimbursement in support of post-production costs.
- The maximum amount of support is $7,500 per filmmaker for short films and $15,000 per filmmaker for feature films (other lengths and formats are subject to capacity and filmmaker requests).
- If an application is accepted, support is provided through cash reimbursement of the filmmaker upon receipt of expense reports and proof of payment.
Eligible Expenses
Eligible expenses are limited to post-production services provided by arm’s length, third-party local Canadian suppliers, including services such as image and sound editing rooms, online editing services, title and credits design, sound effects, voice and music recording, sound mixing, master copies and the creation of digital files.
Selection Guidelines
- The application package must be complete and compliant with all the eligibility criteria.
- Selections are made in alignment with the NFB’s mandate to reflect a balance of genres and formats, a balance between emerging and established talent, regional representation, and adherence to our commitments to Indigenous sovereignty and to diversity. Learn more about our engagements
In-House @ Balmoral, the NFB’s Headquarters in Montreal
Program Details
This program offers selected filmmakers the opportunity to travel to Montreal to complete a portion of their post-production work in-house at our Balmoral studios. The services provided by the FAP to filmmakers working in or travelling to Montreal include NFB post-production services and access to post-production equipment such as picture and sound editing suites, online editing services, title and credits design, sound effects, voice recording, mixing, access to the NFB archives, master copies and authoring of a complete digital cinema package (DCP).
Filmmakers living in Montreal or within 150 km of Montreal must cover 10% of the total cost of requested post-production services. The NFB covers the remaining 90% in the form of an in-kind contribution at the post-production stage in our studios in Montreal. For filmmakers who live more than 150 km from Montreal but wish to travel to Montreal to access the services, the NFB waives the 10% fee and covers 100% of the cost of post-production services to acknowledge additional costs accrued.
All services are provided as in-kind contributions. Outside labour resources such as editors and sound designers are not covered under the FAP, except in the case of the sound edit or colour correction.
Post-Production Services offered at Balmoral
- Offline Editing (excludes labour)
- Online editing
- Colour correction
- Titles, credits & supers
- Sound Editing (excludes labour)
- Foley
- Music and Voice Recording (excluding performers)
- Sound Mixing
- Reduced Rates for NFB Stock Shots
- Digital Masters
- Digital Cinema Package (DCP) authoring
- Animation Support – based on availability, animation workstations & equipment may be available
Selection Guidelines
- Feasibility: the filmmakers’ needs must match the NFB’s capacity.
- The application package must be complete and compliant with all the eligibility criteria.
- Selections are made in alignment with the NFB’s mandate to reflect a balance of genres and formats, a balance between emerging and established talent, regional representation, and adherence to our commitments to Indigenous sovereignty and to diversity. Learn more about our engagements
Eligibility criteria
- The director must be a Canadian citizen or have permanent resident status.
- The film must be an independent Canadian production.
- Secured financing for the project must be demonstrated and shared (support provided through the FAP should be complementary to the financing structure).
- The filmmaker cannot be developing or producing another project with the NFB or another FAP program (i.e., only one project at a time allowed).
- Production and post-production schedules or production must be finalized to allow us to situate the filmmaker’s submission in our calendar and evaluate capacity.
- Eligible formats and genres include:
- short, medium-length or feature-length documentary;
- short-form documentary series for the web;
- animated short, medium or feature film;
- short fiction film;
- experimental short film.
The following are not eligible: films produced for an educational program, promotional films, commissioned films, commercial products, public service announcements, demo reels or music videos.
When do I submit my application?
Filmmakers can submit their application at any point in their production period when they have a clear sense of when and what types of post-production support will be required.
To submit an application for in-house services at Balmoral, you need to have a sense of your post-production schedule (with flexibility of 6–8 weeks) to allow us to assess your request against availability.
To submit an application for reimbursement of post-production services locally, funds must be used during the fiscal year in which your submission is accepted.
Submissions will be assessed three times per year at the following times:
Term 1: April–July
- Review period: 2nd week of July
- Filmmakers notified: last week of July
Term 2: August–November
- Review period: 2nd week of November
- Filmmakers notified: last week of November
Term 3: December–March
- Review period: 2nd week of March
- Filmmakers notified: last week of March
Submission requirements
Local
- All applications must be submitted through our submission form.
- Applicant information:
- Key info: name, phone number, address, email;
- Self-declaration form: The NFB strongly encourages each filmmaker to complete its self-declaration questionnaire to support our mandated commitments to diversity, equity and accessibility. This information will be utilized as part of our project-selection process.
- Project information:
- One-page summary of the project, including a synopsis and a filmmaker’s statement summarizing their creative approach;
- Budget and financing structure;
- Production and post-production schedule, with a list of the post-production services requested in order of priority with corresponding quote for services requested;
- CV of key creative team members (editor, producer and any other key creatives you’d like to include).
- Letters of intent from all funding sources or partners.
In-House @ Balmoral
- All applications must be submitted through our submission form.
- Applicant information:
- Key info: name, phone number, address, email;
- Self-declaration form: The NFB strongly encourages each filmmaker to complete its self-declaration questionnaire to support our mandated commitments to diversity, equity and accessibility. This information will be utilized as part of our project-selection process.
- Project information:
- One-page summary of the project, including a synopsis and a filmmaker’s statement summarizing their creative approach;
- Budget and financing structure;
- Production and post-production schedule, with a list of the post-production services requested in order of priority;
- Picture-lock link to view the film: projects requiring online post-production and/or sound services must be at the locked-edit stage before work begins at the NFB;
- CV of key creative team members (editor, producer and any other key creatives you’d like to include).
- Letters of intent from all funding sources or partners.
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FAQ (Frequently Asked Questions)
Filmmakers retain copyright and full control over their film. However, in consideration for post-production services provided by the NFB or reimbursement for such services, the filmmaker grants the NFB an option to acquire a non-exclusive licence to stream the film free of charge on its online platform in Canada for a maximum period of five years, as agreed with the filmmaker. This option must be exercised no later than 18 months from the completion of the final master of the film. If the option is exercised, the licence will commence at a time that’s mutually agreed upon by the parties. It is understood that this licence will respect the rights and obligations of the filmmaker, and that under no circumstances will online distribution on the NFB’s platform be to the detriment of distribution of the film by the filmmaker, or by third parties to whom they have entrusted its distribution.
The FAP accepts projects in any language except French (projects in French must be submitted to the NFB’s ACIC program, if they fulfil the program criteria). A film produced in a language other than English must have an English version, including opening and closing credits and subtitles in that language.
Yes. Because of the limited capacity of its post-production services, the NFB may be able to provide only some of the services requested.
For reimbursement, the amount is up to $7,500 per short and $15,000 per feature.
No; the FAP cannot subsidize the salaries of third-party crew members, as this does not fall under the NFB’s mandate. The only resources whose work is covered by the program are NFB technicians.
- Offline Editing (excludes labour)
- Online editing
- Colour correction
- Titles, credits & supers
- Sound Editing (excludes labour)
- Foley
- Music and Voice Recording (excluding performers)
- Sound Mixing
- Reduced Rates for NFB Stock Shots
- Digital Masters
- Digital Cinema Package (DCP) authoring
- Animation Support – based on availability, animation workstations & equipment may be available
.
No.
Yes, provided that the film is a Canadian production as defined by CAVCO and the project complies with the program specifications.
No. Only one project per production company or per filmmaker per year is permitted.
No. To accommodate filmmakers who reside more than 150 km from Montreal, we waive the 10% post-production fee to support some of the accrued travel costs.
If you reside more than 150 km from NFB headquarters in Montreal, you will not have to pay the 10% fee; the NFB will cover the entire cost.
Applications are due during the “review periods” listed above. In that time, we will assess all projects for that term and make our decisions based on what is shared below.
For each project submitted, we will make our decision based on capacity (either financial or resources and availability of services) and feasibility, and in accordance with our mandates and commitments to racial, gender, language-based, Indigenous and regional representation.
The NFB can issue a letter of intent upon request if funding sources require it. This letter will summarize the nature of the NFB support, subject to availability of resources and the timetable. It will remain valid for a limited time, and the filmmaker will have to submit a new application if the letter’s validity expires.
Contact
Please contact the FAP team if you have any questions.
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